The Cambridge History of Eighteenth-Century Music

• Frontmatter
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• pp. i-xviii

PRELUDE

• 1 - The musical map of Europe c. 1700 by Stephen Rose
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• pp. 1-26

PART I - MUSIC FOR THE CHURCH

• 2 - Catholic church music in Italy, and the Spanish and Portuguese Empires by Paul R. Laird
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• pp. 27-58

• 3 - Catholic sacred music in Austria by Jen-yen Chen
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• pp. 59-112

• 4 - Catholic church music in France by Jean-Paul C. Montagnier
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• pp. 113-126

• 5 - Lutheran church music by Stephen Rose
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• pp. 127-167

• 6 - Protestant church music in England and America by Charles E. Brewer
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• pp. 168-180

INTERLUDE

• 7 - Listening, thinking and writing by David Schroeder
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• pp. 181-200

PART II - MUSIC FOR THE THEATRE

• 8 - Italian opera in the eighteenth century by Margaret R. Butler
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• pp. 201-271

• 9 - Opera in Paris from Campra to Rameau by Lois Rosow
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• pp. 272-294

• 10 - An instinct for parody and a spirit for revolution: Parisian opera, 1752–1800 by Michael Fend
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• pp. 295-330

• 11 - German opera from Reinhard Keiser to Peter Winter by Claudia Maurer Zenck, Anke Caton and Simon P. Keefe
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• pp. 331-384

• 12 - The lure of aria, procession and spectacle: opera in eighteenth-century London by Michael Burden
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• pp. 385-401

• 13 - Music theatre in Spain by Rainer Kleinertz
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• pp. 402-419

• 14 - Opera in Sweden by Greger Andersson
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• pp. 420-432

INTERLUDE

• 15 - Performance in the eighteenth century by John Irving
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• pp. 433-454

PART III - MUSIC FOR THE SALON AND CONCERT ROOM

• 16 - Keyboard music from Couperin to early Beethoven by Rohan Stewart-MacDonald
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• pp. 455-491

• 17 - The serenata in the eighteenth century by Stefanie Tcharos
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• pp. 492-512

• 18 - Private music in public spheres: chamber cantata and song by Berta Joncus
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• pp. 513-540

• 19 - Handel and English oratorio by Eva Zöllner
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• pp. 541-555

• 20 - The overture-suite, concerto grosso, ripieno concerto and Harmoniemusik in the eighteenth century by Steven Zohn
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• pp. 556-582

• 21 - Concerto of the individual by Simon McVeigh
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• pp. 583-612

• 22 - Eighteenth-century symphonies: an unfinished dialogue by Richard Will
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• pp. 613-647

• 23 - The string quartet by Cliff Eisen
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• pp. 648-660

POSTLUDE

• 24 - Across the divide: currents of musical thought in Europe, c. 1790–1810 by Simon P. Keefe
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• pp. 661-688

• Appendix I - Chronology by David Black
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• pp. 689-708

• Appendix II - Institutions in major European cities by David Black
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• pp. 709-724

• Appendix III - Personalia by David Black
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• pp. 725-773

• Index
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• pp. 774-798