The Cambridge History of British Theatre Volume 2: 1660 to 1895

• Frontmatter
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• pp. i-xcii

Part I - 1660 to 1800

• 1 - Introduction: the theatre from 1660 to 1800 by Joseph Donohue
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• pp. 1-52

• 2 - Theatres and repertory by Robert D. Hume
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• pp. 53-70

• 3 - Theatre and the female presence by Joanne Lafler
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• pp. 71-89

• 4 - Theatre, politics and morality by Derek Hughes
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• pp. 90-107

• 5 - Theatre companies and regulation by Judith Milhous
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• pp. 108-125

• 6 - The Beggar’s Opera A case study by Calhoun Winton
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• pp. 126-144

• 7 - Garrick at Drury Lane, 1747–1776 by Mark S. Auburn
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• pp. 145-164

• 8 - Theatre outside London, 1660–1775 by Görel Garlick
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• pp. 165-182

• 9 - 1776 A critical year in perspective by Edward A. Langhans
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• pp. 183-198

• 10 - The theatrical revolution, 1776–1843 by Jane Moody
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• pp. 199-216

Part II - 1800 to 1895

• 11 - Introduction: the theatre from 1800 to 1895 by Joseph Donohue
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• pp. 217-271

• 12 - Presence, personality and physicality: actors and their repertoires, 1776–1895 by Jim Davis
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• pp. 272-291

• 13 - Theatres, their architecture and their audiences by Joseph Donohue
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• pp. 292-308

• 14 - Stage design from Loutherbourg to Poel by Christopher Baugh
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• pp. 309-330

• 15 - Theatre and mid-Victorian society, 1851–1870 by Richard W. Schoch
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• pp. 331-351

• 16 - Gendering Victorian theatre by Kerry Powell
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• pp. 352-368

• 17 - Popular entertainment, 1776–1895 by Dave Russell
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• pp. 369-387

• 18 - The Bells: a case study A ‘bare-ribbed skeleton’ in a chest by David Mayer
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• pp. 388-404

• 19 - The new drama and the old theatre by Peter Thomson
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• pp. 405-421

• 20 - 1895 A critical year in perspective by Joel Kaplan
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• pp. 422-439

• Bibliography
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• pp. 440-459

• Index
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• pp. 460-481