The Cambridge History of Literary Criticism Volume 7: Modernism and the New Criticism

• Frontmatter
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• pp. i-x

• Introduction by Louis Menand and Lawrence Rainey
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• pp. 1-14

THE MODERNISTS

• 1 - T. S. Eliot by Louis Menand
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• pp. 15-56

• 2 - Ezra Pound by A. Walton Litz and Lawrence Rainey
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• pp. 57-92

• 3 - Gertrude Stein by Steven Meyer
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• pp. 93-121

• 4 - Virginia Woolf by Maria DiBattista
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• pp. 122-137

• 5 - Wyndham Lewis by Vincent Sherry
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• pp. 138-150

• 6 - W. B. Yeats by Lucy McDiarmid
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• pp. 151-166

• 7 - The Harlem Renaissance by Michael North
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• pp. 167-178

THE NEW CRITICS

• 8 - I. A. Richards by Paul H. Fry
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• pp. 179-199

• 9 - The Southern New Critics by Mark Jancovich
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• pp. 200-218

• 10 - William Empson by Michael Wood
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• pp. 219-234

• 11 - R. P. Blackmur by Michael Wood
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• pp. 235-247

• 12 - Kenneth Burke by Eugene Goodheart
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• pp. 248-259

• 13 - Yvor Winters by Donald Davie
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• pp. 260-266

THE CRITIC AND THE INSTITUTIONS OF CULTURE

• 14 - Criticism and the academy by Wallace Martin
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• pp. 267-321

• 15 - The critic and society, 1900–1950 by Morris Dickstein
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• pp. 322-376

• 16 - The British ‘Man of Letters’ and the rise of the professional by Josephine M. Guy and Ian Small
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• pp. 377-388

• 17 - F. R. Leavis by Michael Bell
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• pp. 389-422

• 18 - Lionel Trilling by Harvey Teres
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• pp. 423-438

• 19 - Poet-critics by Lawrence Lipking
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• pp. 439-467

• 20 - Criticism of Fiction by Michael Levenson
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• pp. 468-498

• Bibliography
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• pp. 499-546

• Index
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• pp. 547-565