The Cambridge History of Musical Performance

• Frontmatter
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• pp. i-xxvi

PART I - PERFORMANCE THROUGH HISTORY

• 1 - Performance today by Nicholas Kenyon
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• pp. 1-34

• 2 - Political process, social structure and musical performance in Europe since 1450 by William Weber
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• pp. 35-62

• 3 - The evidence by Robin Stowell
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• pp. 63-104

• 4 - The performer and the composer by Corey Jamason
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• pp. 105-134

• 5 - The teaching of performance by Natasha Loges and Colin Lawson
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• pp. 135-168

• 6 - Music and musical performance: histories in disjunction? by David Wright
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• pp. 169-206

PART II - PRE-RENAISSANCE PERFORMANCE

• 7 - The Ancient World by Eleonora Rocconi
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• pp. 207-230

• 8 - Performance before c. 1430: an overview by John Haines
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• pp. 231-247

• 9 - Vocal performance before c. 1430 by Jeremy Summerly
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• pp. 248-260

• 10 - Instrumental performance before c. 1430 by Stefano Mengozzi
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• pp. 261-278

• 11 - Case study: Guillaume de Machaut, ballade 34, ‘Quant Theseus / Ne quier veoir’ by John Haines
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• pp. 279-294

PART III - PERFORMANCE IN THE RENAISSANCE (C. 1430–1600)

• 12 - Performance in the Renaissance: an overview by Jon Banks
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• pp. 295-317

• 13 - Vocal performance in the Renaissance by Timothy J. McGee
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• pp. 318-334

• 14 - Instrumental performance in the Renaissance by Keith Polk
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• pp. 335-352

• 15 - Case study: Seville Cathedral's music in performance, 1549–1599 by Owen Rees
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• pp. 353-374

PART IV - PERFORMANCE IN THE SEVENTEENTH CENTURY

• 16 - Performance in the seventeenth century: an overview by Tim Carter
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• pp. 375-397

• 17 - Vocal performance in the seventeenth century by Richard Wistreich
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• pp. 398-420

• 18 - Instrumental performance in the seventeenth century by David Ponsford
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• pp. 421-447

• 19 - Case study: Monteverdi, Vespers (1610) by Jonathan P. Wainwright
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• pp. 448-470

PART V - PERFORMANCE IN THE ‘LONG EIGHTEENTH CENTURY’

• 20 - Performance in the ‘long eighteenth century’: an overview by Simon McVeigh
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• pp. 471-505

• 21 - Vocal performance in the ‘long eighteenth century’ by John Potter
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• pp. 506-526

• 22 - Instrumental performance in the ‘long eighteenth century’ by Peter Walls
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• pp. 527-551

• 23 - Case study: Mozart, Symphonies in E flat major K543, G minor K550 and C major K551 by Colin Lawson
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• pp. 552-574

PART VI - PERFORMANCE IN THE NINETEENTH CENTURY

• 24 - Performance in the nineteenth century: an overview by Michael Musgrave
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• pp. 575-610

• 25 - Vocal performance in the nineteenth century by Will Crutchfield
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• pp. 611-642

• 26 - Instrumental performance in the nineteenth century by Ian Pace
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• pp. 643-695

• 27 - Case study: Richard Wagner, Tristan und Isolde by Robin Stowell
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• pp. 696-722

PART VII - THE TWENTIETH CENTURY AND BEYOND

• 28 - Musical performance in the twentieth century and beyond: an overview by Stephen Cottrell
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• pp. 723-751

• 29 - Vocal performance in the twentieth century and beyond by Jane Manning and Anthony Payne
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• pp. 752-777

• 30 - Instrumental performance in the twentieth century and beyond by Roger Heaton
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• pp. 778-797

• 31 - Case study: Karlheinz Stockhausen, Gruppen für drei Orchester by William Mival
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• pp. 798-814

PART VIII

• 32 - The future? by Colin Lawson and Robin Stowell
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• pp. 815-833

• Select bibliography
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• pp. 834-893

• Index
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• pp. 894-906